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PRODID:-//Eugene O&#039;Neill Foundation, Tao House - ECPv6.15.17//NONSGML v1.0//EN
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X-WR-CALNAME:Eugene O&#039;Neill Foundation, Tao House
X-ORIGINAL-URL:https://eugeneoneill.org
X-WR-CALDESC:Events for Eugene O&#039;Neill Foundation, Tao House
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:UTC
BEGIN:STANDARD
TZOFFSETFROM:+0000
TZOFFSETTO:+0000
TZNAME:UTC
DTSTART:20170101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181115
DTEND;VALUE=DATE:20181116
DTSTAMP:20260403T150016
CREATED:20181028T040946Z
LAST-MODIFIED:20181028T040946Z
UID:3918-1542240000-1542326399@eugeneoneill.org
SUMMARY:AIR application deadline
DESCRIPTION:For more AIR information and to download the application click HERE
URL:https://eugeneoneill.org/event/air-application-deadline/
LOCATION:CA
CATEGORIES:AIR
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2016/10/FullSizeRender-45.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190112T200000
DTEND;TZID=UTC:20190112T220000
DTSTAMP:20260403T150016
CREATED:20181028T041303Z
LAST-MODIFIED:20181028T041303Z
UID:3922-1547323200-1547330400@eugeneoneill.org
SUMMARY:January Playwrights' Theatre: The Great God Brown
DESCRIPTION:“The Great God Brown” by Eugene O’Neill\, \nPlaywrights’ Theatre\, January 2019 \nDirected by Eric Fraisher Hayes \nMuseum of the San Ramon Valley\, Danville \nTickets $25 \nTickets are now SOLD OUT for all performances\, including our recently added Sunday\, 13 January 7:00 pm performance. \nJanuary’s script-in-hand performances at the Museum of the San Ramon Valley are on Saturday\, January 12 (8 pm)\, Sunday\, January 13 (2 pm) and Sunday\, January 13 (7 pm). General seating is first-come\, first-served. Doors open 30 minutes prior to performance. Please note that we do not issue tickets – your name/s will be on our check-in list at the event. \nDion Anthony and William “Billy” Brown have been competing for the love of Margaret since their youth. Ultimately\, the wild and creative Anthony won the girl while the staid and cautious Brown became a financial success. In their world\, as in our own\, you always want what you cannot have. The Great God Brown is Eugene O’Neill’s violently lyrical exploration of the quest to possess one’s own identity and perhaps someone else’s as well.
URL:https://eugeneoneill.org/event/january-playwrights-there-the-great-god-brown/
LOCATION:CA
ATTACH;FMTTYPE=image/gif:https://eugeneoneill.org/wp-content/uploads/2016/10/tickets.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190112T200000
DTEND;TZID=UTC:20190112T220000
DTSTAMP:20260403T150016
CREATED:20181028T041303Z
LAST-MODIFIED:20181028T041303Z
UID:3922-1547323200-1547330400@eugeneoneill.org
SUMMARY:January Playwrights' Theatre: The Great God Brown
DESCRIPTION:“The Great God Brown” by Eugene O’Neill\, \nPlaywrights’ Theatre\, January 2019 \nDirected by Eric Fraisher Hayes \nMuseum of the San Ramon Valley\, Danville \nTickets $25 \nTickets are now SOLD OUT for all performances\, including our recently added Sunday\, 13 January 7:00 pm performance. \nJanuary’s script-in-hand performances at the Museum of the San Ramon Valley are on Saturday\, January 12 (8 pm)\, Sunday\, January 13 (2 pm) and Sunday\, January 13 (7 pm). General seating is first-come\, first-served. Doors open 30 minutes prior to performance. Please note that we do not issue tickets – your name/s will be on our check-in list at the event. \nDion Anthony and William “Billy” Brown have been competing for the love of Margaret since their youth. Ultimately\, the wild and creative Anthony won the girl while the staid and cautious Brown became a financial success. In their world\, as in our own\, you always want what you cannot have. The Great God Brown is Eugene O’Neill’s violently lyrical exploration of the quest to possess one’s own identity and perhaps someone else’s as well.
URL:https://eugeneoneill.org/event/january-playwrights-there-the-great-god-brown/
LOCATION:CA
ATTACH;FMTTYPE=image/gif:https://eugeneoneill.org/wp-content/uploads/2016/10/tickets.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190112T200000
DTEND;TZID=UTC:20190112T220000
DTSTAMP:20260403T150016
CREATED:20181028T041303Z
LAST-MODIFIED:20181028T041303Z
UID:3922-1547323200-1547330400@eugeneoneill.org
SUMMARY:January Playwrights' Theatre: The Great God Brown
DESCRIPTION:“The Great God Brown” by Eugene O’Neill\, \nPlaywrights’ Theatre\, January 2019 \nDirected by Eric Fraisher Hayes \nMuseum of the San Ramon Valley\, Danville \nTickets $25 \nTickets are now SOLD OUT for all performances\, including our recently added Sunday\, 13 January 7:00 pm performance. \nJanuary’s script-in-hand performances at the Museum of the San Ramon Valley are on Saturday\, January 12 (8 pm)\, Sunday\, January 13 (2 pm) and Sunday\, January 13 (7 pm). General seating is first-come\, first-served. Doors open 30 minutes prior to performance. Please note that we do not issue tickets – your name/s will be on our check-in list at the event. \nDion Anthony and William “Billy” Brown have been competing for the love of Margaret since their youth. Ultimately\, the wild and creative Anthony won the girl while the staid and cautious Brown became a financial success. In their world\, as in our own\, you always want what you cannot have. The Great God Brown is Eugene O’Neill’s violently lyrical exploration of the quest to possess one’s own identity and perhaps someone else’s as well.
URL:https://eugeneoneill.org/event/january-playwrights-there-the-great-god-brown/
LOCATION:CA
ATTACH;FMTTYPE=image/gif:https://eugeneoneill.org/wp-content/uploads/2016/10/tickets.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190323T083000
DTEND;TZID=UTC:20190323T153000
DTSTAMP:20260403T150016
CREATED:20190117T075828Z
LAST-MODIFIED:20190117T075828Z
UID:4341-1553329800-1553355000@eugeneoneill.org
SUMMARY:Student Day 2019
DESCRIPTION:Mark your calendars for Student Day 2019!\nSaturday\, March 23 from 8:30 to 3:30\nJoin us for a FREE one-day Master Class in Acting\, Playwriting or Photography.\nThese creative workshops will be led by professional artists at Tao House\, the Eugene O’Neill National Historic Site in Danville\, CA\, home of Nobel Prize-winning playwright\, Eugene O’Neill. Open to ALL high school students! \n• Engage in workshops and activities led by professional artists \n• Tour Tao House with a National Park Service leader \n• Meet and share the day’s adventure with fellow high school artists \n• Create your own works of art! Creativity sustained with brunch and lunch \nNPS Shuttle service will be provided to Tao House (not accessible to public transport) from two locations: Walnut Creek BART parking lot (WC) or Sycamore Valley Road “Park and Ride” parking lot near the 680 onramp (SV). Please indicate your preference in the online application below. \nThe Eugene O’Neill Foundation\, Tao House\, in conjunction with the National Park Service\, is able to provide these educational programs FREE thanks to the very generous support of the Dean and Margaret Lesher Foundation and the Wood Foundation.  \nClick HERE for more information \nStudents\, APPLY ONLINE BELOW by March 15\, 2019: \n  \n[contact-form-7 id=”4346″ title=”Student Day Application Form 2019″] \n  \nParents (and Students over 18)\, download a permission form here: \n2019 SD EmergencyPermission Form \n 
URL:https://eugeneoneill.org/event/student-day-2019/
LOCATION:CA
CATEGORIES:Educational Event
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2019/01/student-days-2018-2-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190511T103000
DTEND;TZID=UTC:20190512T033000
DTSTAMP:20260403T150016
CREATED:20190415T221926Z
LAST-MODIFIED:20190415T221926Z
UID:4732-1557570600-1557631800@eugeneoneill.org
SUMMARY:Danville Open Studios\, May 11–12
DESCRIPTION:Water-media artists\, sketchers\, and photographers are invited to discover the beauty of the Eugene O’Neill National Historic Site and to do plein-air painting\, drawing\, and photography during Open Studios on Saturday\, May 11 and Sunday\, May 12\, as guests of the Eugene O’Neill Foundation\, Tao House and the National Park Service. It was at Tao House where Eugene O’Neill found the peace and quiet to write his late masterpieces\, including Long Day’s Journey Into Night\, which will be performed in the Old Barn in September. You can explore the grounds and enjoy views of Mt. Diablo\, the Las Trampas hills\, the nut orchard\, the courtyard garden\, and the cows grazing nearby. \nMeet the NPS shuttle at the Museum of the San Ramon Valley\, 205 Railroad Ave.\, in downtown Danville. Parking is plentiful in the large lot adjacent to the museum. Be sure to travel light. \nShuttle schedule: \nSat.     10:15 am   12:15 pm  2:15 pm \nSun.   10 am   2 pm \nLast returning shuttle   3:30 pm \nSo we can plan for your visit\, please register by May 4 \n[contact-form-7 id=”4739″ title=”Open Studio days at Tao House”] \n  \nYou can tour Tao House\, with an NPS guide on Sunday or self-guided on Saturday. Bring a brown-bag lunch and eat at the picnic tables on the grounds. No eating or painting allowed in the house. \nWhile in Danville\, be sure to stop by the Village Theatre Art Gallery to see the California Watercolor Society show\, “Luminous\,” which coincides with Danville’s Open Studios.
URL:https://eugeneoneill.org/event/danville-open-studios-may-11-12/
LOCATION:CA
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2019/04/Tao-House-and-wisteria.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190612T083000
DTEND;TZID=UTC:20190623T033000
DTSTAMP:20260403T150016
CREATED:20161030T001833Z
LAST-MODIFIED:20161030T001833Z
UID:827-1560328200-1561260600@eugeneoneill.org
SUMMARY:10-day FREE Studio Retreat for students
DESCRIPTION:Studio Retreat: a 10-day Masterclass in\nPlaywriting and Acting\nfor Teens\nThe O’Neill Studio Retreat is a ten-day intensive for teens in advanced acting and playwriting at the beautiful Eugene O’Neill Historic Site\, Tao House in Danville\, California. This year’s camp runs from Wed.\, June 12 – Sun.\, June 23 (with no class on Monday 17 and Tuesday 18) 8:30 – 3:30 daily and is FREE for those chosen to participate. Please note our new dates! Because space is limited\, only a select number of playwrights and actors will be chosen to take part. All interested students must apply by June 1\, 2019. \nFor more info and to apply click HERE \nNOTE: OUR PLAYWRITING MASTERCLASS IS NOW FULL! We still have a few places for actors (as of June 3.) 
URL:https://eugeneoneill.org/event/studio-retreat/
LOCATION:CA
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2016/10/Studio-Retreat-group-pano.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190708T170000
DTEND;TZID=UTC:20190708T200000
DTSTAMP:20260403T150016
CREATED:20190103T013610Z
LAST-MODIFIED:20190103T013610Z
UID:4325-1562605200-1562616000@eugeneoneill.org
SUMMARY:Tips for Change Fundraising Event
DESCRIPTION:Join Us for a Fundraising Dinner \nBring Your Family & Friends!\nMonday\, July 8  5:00-8:00 pm\n  \nAnnouncing a Tips for Change fundraiser benefiting the Eugene O’Neill Foundation\, Tao House. \nMake your own table reservations now at 925.820.6969 or online:  giannissanramon.com/events/tips-for-change. \nTips for Change is a fun way for local nonprofit organizations to raise funds. EONF volunteers will serve you enthusiastically and then cross our fingers that you will tip generously! \nYour kind donations (10% of your dinner cost and 100% of your tips) will contribute to sending our Long Day’s Journey cast to Ireland for the 2nd Annual Eugene O’Neill Festival of Theatre in New Ross in October. \nWe look forward to seeing you at the party! \n \n \n  \n  \n  \n  \n  \n  \n  \n  \nFor more about the Eugene O’Neill Foundation: www.eugeneoneill.org
URL:https://eugeneoneill.org/event/tips-for-change-fundraising-event/
LOCATION:CA
ATTACH;FMTTYPE=image/png:https://eugeneoneill.org/wp-content/uploads/2019/01/Screen-Shot-2018-07-09-at-10.20.32-AM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190824
DTEND;VALUE=DATE:20190825
DTSTAMP:20260403T150016
CREATED:20190326T225809Z
LAST-MODIFIED:20190326T225809Z
UID:4545-1566604800-1566691199@eugeneoneill.org
SUMMARY:20th Annual Eugene O'Neill Festival Opens!
DESCRIPTION:Haunted Poets\nEugene O’Neill and Tennessee Williams\nThe 20th Annual Eugene O’Neill Festival in Danville\, CA will feature three plays – Long Day’s Journey Into Night\, The Glass Menagerie and The Second Girl – an Irish music concert\, a guided hike to Tao House\, a historic guided walk of O’Neill’s Danville and more.. \n  \nPLEASE CLICK HERE FOR MORE INFORMATION\, INCLUDING EXACT DATES AND TIMES OF ALL OUR 2019 FESTIVAL PRODUCTIONS AND EVENTS. \n  \nTICKETS ARE AVAILABLE HERE \n  \nHaunted Poets\nAll of us wrestle with our demons. The choices we’ve made or the people we’ve hurt or who hurt us follow us throughout our lives. Often these painful episodes involve those closest to us. A great writer is one who finds a way to tell the story of these struggles in such a way that we can recognize that their story is in part our story. At the heart of this year’s Eugene O’Neill Festival will be the soul-stirring artistic confessions of two of our greatest haunted poets: Eugene O’Neill and Tennessee Williams. The festival will feature productions of O’Neill’s Long Day’s Journey Into Night at Tao House and Williams’ The Glass Menagerie at the Village Theatre in downtown Danville.  These plays are powerful and poetic demonstrations of how\, for these playwrights\, the ghosts of the past continued to haunt their imaginations. \n  \n  \n 
URL:https://eugeneoneill.org/event/20th-annual-eugeneoneill-festival/
LOCATION:CA
CATEGORIES:O'Neill Festival
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2019/03/Iceman-Rehearsal-Picture-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190824T180000
DTEND;TZID=UTC:20190824T200000
DTSTAMP:20260403T150016
CREATED:20190701T222650Z
LAST-MODIFIED:20190701T222650Z
UID:4959-1566669600-1566676800@eugeneoneill.org
SUMMARY:A conversation with Irish Playwright Ronan Noone
DESCRIPTION:August 24 at 6pm \nJoin us for a special opening night reception with The Second Girl playwright Ronan Noone. Now based in Boston\, Noone\, the author of nearly a dozen plays\, will be joining us to discuss The Second Girl\, his creative process and the plight of Irish immigrants. \nBeverages and bites will be provided. Tickets HERE \n 
URL:https://eugeneoneill.org/event/a-conversation-with-irish-playwright-ronan-noone/
LOCATION:CA
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2019/03/MSRV-photo-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190824T200000
DTEND;TZID=UTC:20190824T220000
DTSTAMP:20260403T150016
CREATED:20190802T085718Z
LAST-MODIFIED:20190802T085718Z
UID:5061-1566676800-1566684000@eugeneoneill.org
SUMMARY:The Second Girl - two nights only!
DESCRIPTION:By Ronan Noone     \n Directed by Eric Fraisher Hayes \nPresented by The Eugene O’Neill Foundation\, Tao House \nA staged reading at the Museum of the San Ramon Valley\, Danville  \nSet in the kitchen of the Tyrone family on the same day in 1912 that Long Day’s Journey Into Night takes place\, The Second Girl tells the story of the hopes and  challenges of the Tyrone family’s hired help. Their tale touches on the plight of all immigrants trying to make their way in a new world.    \nAug. 24 8:00 Meet the Playwright reception 6:00 pm at Museum  $25 \nAug. 25\, 2:00 pm and 7:00 pm  \nDiscount student tickets available for 2:00 pm performance \nTickets at www.villagetheatreshows.com
URL:https://eugeneoneill.org/event/the-second-girl-two-nights-only/
LOCATION:CA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190830T200000
DTEND;TZID=UTC:20190830T200000
DTSTAMP:20260403T150016
CREATED:20190802T090313Z
LAST-MODIFIED:20190802T090313Z
UID:5063-1567195200-1567195200@eugeneoneill.org
SUMMARY:S.S. Glencairn Sea Plays - three nights only!
DESCRIPTION:BY EUGENE O’NEILL \nIrish actors from the O’Neill ancestral home of New Ross\, Ireland\, perform Bound East for Cardiff\, In the Zone\, and The Long Voyage Home aboard the 1886 square-rigger Balclutha and the 1890 steam ferry Eureka at Hyde Street Pier.  \nBrought to the 20th Annual Eugene O’Neill Festival by the San Francisco Maritime National Park Association and the San Francisco Maritime National Historical Park.  \nAug.  30–Sept. 1   Arrive early\, plays begin at 8:00 pm        \nInformation and tickets HERE \n 
URL:https://eugeneoneill.org/event/s-s-glencairn-sea-plays-three-nights-only/
LOCATION:CA
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2019/07/Balclutha-plays-poster-061319.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190830T200000
DTEND;TZID=UTC:20190830T223000
DTSTAMP:20260403T150016
CREATED:20190802T084305Z
LAST-MODIFIED:20190802T084305Z
UID:5053-1567195200-1567204200@eugeneoneill.org
SUMMARY:The Glass Menagerie opening night
DESCRIPTION:By Tennessee Williams      \nDirected by Chloe Broznan \nPresented by Role Players Ensemble \nVillage Theatre\, Danville \nThe Wingfield family lives in the shadow of the husband and father who left them. Struggling to get by\, mother Amanda lives in her southern-belle past\, son Tom lives for the day he can escape the bonds of a dead-end life\, and daughter Laura finds comfort in her menagerie of little glass figurines. Into this world walks a young man who upsets everything. The Glass Menagerie was Tennessee Williams’ first great success.  \nAug. 30 and 31\, Sept. 6\, 7\, 13 and 14     8:00 pm \nMatinées: Sept. 1\, 8 and 15     2:00 pm
URL:https://eugeneoneill.org/event/the-glass-menagerie-opening-night/
LOCATION:CA
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2019/07/Tiny-Glass-Creatures-from-Germany.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190905T200000
DTEND;TZID=UTC:20190905T213000
DTSTAMP:20260403T150016
CREATED:20190603T061132Z
LAST-MODIFIED:20190603T061132Z
UID:4888-1567713600-1567719000@eugeneoneill.org
SUMMARY:Soprano Clodagh Kinsella concert
DESCRIPTION:Join us in Danville for an evening with Soprano Clodagh Kinsella and Pianist Keith Stears \nConcert: Irish Airs and Arias  \nIrish soprano Clodagh Kinsella and pianist Keith Stears bring their unique interpretations to Irish airs and to opera arias. This new-generation duo interweaves their heritage and their classical training to pay homage to the old traditions in a new and exciting way. Clodagh electrified audiences at last year’s Eugene O’Neill International Festival of Theatre in New Ross\, Ireland\, with her rendition of “Shenandoah” during the play Mourning Becomes Electra. She has appeared in many operatic roles and in concerts from Budapest to New York. Keith\, winner of numerous competitions\, performs regularly in Europe and America. \nVillage Theatre\, Danville. Performance: September 5\, 8:00 pm \nCost: $25      Sponsored by Chevron \nTickets HERE \n 
URL:https://eugeneoneill.org/event/soprano-clodagh-kinsella-concert/
LOCATION:CA
CATEGORIES:O'Neill Festival
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190908
DTEND;VALUE=DATE:20190909
DTSTAMP:20260403T150016
CREATED:20190802T090718Z
LAST-MODIFIED:20190802T090718Z
UID:5065-1567900800-1567987199@eugeneoneill.org
SUMMARY:Hills of Solace: Annual Hike to Tao House
DESCRIPTION:Sun.\, Sept. 8\, 9:00 am   FREE  \nA 3.1-mile hike from Front Street Park in Danville\, along the Iron Horse Trail and into the Las Trampas Hills\, led by National Park Service and East Bay Regional Park District rangers. At the Eugene O’Neill National Historic Site\, tour Tao House\, enjoy your brown-bag lunch at picnic tables\, and hike back to Danville or catch the NPS shuttle. \nPlease register by Sept. 5 HERE
URL:https://eugeneoneill.org/event/hills-of-solace-annual-hike-to-tao-house/
LOCATION:CA
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2019/03/thumbnail_IMG_4427.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190914T193000
DTEND;TZID=UTC:20190914T223000
DTSTAMP:20260403T150016
CREATED:20190802T085028Z
LAST-MODIFIED:20190802T085028Z
UID:5058-1568489400-1568500200@eugeneoneill.org
SUMMARY:Long Day's Journey Into Night opening night!
DESCRIPTION:By Eugene O’Neill       \nDirected by Eric Fraisher Hayes  \n Presented by the Eugene O’Neill Foundation\, Tao House \nOld Barn\, Eugene O’Neill National Historic Site\, Danville      \nA son’s looming health diagnosis and a mother’s drug addiction hang over the Tyrone family. The four wounded Tyrones confront the powerful and contradictory feelings they have for each other.  \nLong Day’s Journey Into Night is considered by many to be the greatest American tragedy ever written.  \nPurchase gourmet picnics\, available before all performances. Catch National Park Service shuttles starting at 5:30 pm for evening shows or 12:00 pm for matinées. \nSept. 14\, 19\, 20\, 21\, 26\, 27 and 28      7:30 pm \nMatinées: Sept. 15\, 22 and 29     2:00 pm \n  \nTickets at www.villagetheatreshows.com
URL:https://eugeneoneill.org/event/long-days-journey-into-night-opening-night/
LOCATION:CA
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2019/07/IMG0797_edited-1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190921T140000
DTEND;TZID=UTC:20190921T160000
DTSTAMP:20260403T150016
CREATED:20190802T091719Z
LAST-MODIFIED:20190802T091719Z
UID:5070-1569074400-1569081600@eugeneoneill.org
SUMMARY:Secrets of O'Neill's Danville: History Walk
DESCRIPTION:Sat.\, Sept. 21\, 2:00 pm    FREE \nBeverly Lane\, former Mayor of Danville and local historian\, leads a leisurely walking tour beginning at Front Street Park (also known as Eugene O’Neill Commemorative Park\, featuring the plays written at Tao House) in downtown Danville.     
URL:https://eugeneoneill.org/event/secrets-of-oneills-danville-history-walk/
LOCATION:CA
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2019/03/MSRV-photo-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191009
DTEND;VALUE=DATE:20191010
DTSTAMP:20260403T150016
CREATED:20190802T092336Z
LAST-MODIFIED:20190802T092336Z
UID:5072-1570579200-1570665599@eugeneoneill.org
SUMMARY:One Festival\, Two Countries: Eugene O'Neill Festival of Theatre
DESCRIPTION:Festival Tour Packages 2019  \nThe 2nd Annual Eugene O’Neill Festival of Theatre\, a partnership of the O’Neill Ancestral Trust of Ireland and the Eugene O’Neill Foundation\, Tao House\, is Oct. 9–13\, again celebrating the Friendship Cities of Danville and New Ross. \nThe Tao House production of Long Day’s Journey Into Night directed by Eric Fraisher Hayes will join these Irish presentations: \n  \nO’Neill’s Strange Interlude\, a staged reading directed by Ben Barnes \nS.S. Glencairn sea plays aboard the Dunbrody famine ship replica \nThe Diary of Maynard Perdu written and directed by Billy Roche \nPresentations by American O’Neill scholars \nDaytime tours nearby \nExtended tour to Northern Ireland and Dublin\, Oct. 14–20    \nFor more: www.eugeneoneillfestival.com
URL:https://eugeneoneill.org/event/one-festival-two-countries-eugene-oneill-festival-of-theatre/
LOCATION:CA
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2019/04/Ireland-Festival-brochure-image-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191115
DTEND;VALUE=DATE:20191116
DTSTAMP:20260403T150016
CREATED:20191025T065305Z
LAST-MODIFIED:20191025T065305Z
UID:5350-1573776000-1573862399@eugeneoneill.org
SUMMARY:AIR Application Deadline
DESCRIPTION:Travis Bogard Artist in Residence Program at Tao House  \nApplication Deadline: November 15\, 2019  \nDeveloping or established playwrights\, theatre directors\, scholars\, or critics of the performing arts are invited to apply for a 2020 fellowship of up to one month at the Eugene O’Neill National Historic Site\, Danville\, California  \nAs a Tao House Fellow you will:  \nWork in the solitude of Tao House\, in the creative atmosphere in which America’s only Nobel Prize–winning playwright produced his masterpieces (subject of fellow’s study need not be related to O’Neill)  \nLive offsite in comfortable\, contemplative surroundings\, with meals and local transportation provided  \nHave access to Tao House research library and archive holdings in American theatre\, including documents\, photographs\, and unique collections on O’Neill’s life and work  \nSelect your preferred time of residence between May 1 and October 31\, 2020  \n 
URL:https://eugeneoneill.org/event/air-application-deadline-2/
LOCATION:CA
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2017/04/e-news-Spring-2017-AIR-hero-photo.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20201003T170000
DTEND;TZID=UTC:20201003T190000
DTSTAMP:20260403T150016
CREATED:20200817T232534Z
LAST-MODIFIED:20200817T232534Z
UID:6206-1601744400-1601751600@eugeneoneill.org
SUMMARY:The Lost Plays
DESCRIPTION:  \nANNOUNCING: lost plays now found \nDid you miss our live presentations of The Web\, and Recklessness? Not to worry\, you can watch them here:\nO’Neill’s The Web \nO’Neill’s Recklessness \n  \n  \n  \nDISCUSSIONS WITH SCHOLARS \nCHECK OUT OUR VIRTUAL GENE PAGE HERE \n  \nStudents from Miami University of Ohio have created an incredible resource packet in support of our Lost Plays production of The Web. Click the link below to learn more about the issues O’Neill was wrestling with in this play and gain insight into the process of the keeping theatre alive in these unusual times. \n“THE WEB” resource packet \n  \nREGISTER HERE for the lost plays\n\nYou can register for our next two Zoom premieres of the Lost Plays HERE. Each of our premieres will feature a live post-show discussion with Artistic Director Eric Fraisher Hayes\, and our Lost Plays actors. If you are unable to attend these dates\, not to worry; 48 hours after each of our premieres\, we will be posting our plays to YouTube and a link will appear here on our homepage.\n  \nThe Web\, Sat.\, Oct. 3\, 5:00pm PDT\nRecklessness\, sat.\, Oct. 10\, 5:00pm PDT\nAbortion\, sat.\, Oct. 17\, 5:00pm PDT\n  \n\n  \nPresenting the Lost Plays in a Lost Year of Theatre\, \nVirtually\, This October\nBy Eric Fraisher Hayes \nAs the reality of the pandemic began to dawn on me\, I started to brainstorm ways to continue to bring the plays of Eugene O’Neill to our audiences. I knew performing in front of patrons was very unlikely and most of my virtual theatre or “Zoom theatre” experiences have not been satisfying. I longed for the spark created when actors actually share a stage. I began to visualize videotaping O’Neill’s plays in a safe and responsible manner. \nO’Neill’s drafty open-air Old Barn played a key role in my planning. Besides offering the magic of Tao House\, the Old Barn was a covered yet safe space to work. Additionally\, the remnants of the set from last fall’s production of Long Day’s Journey Into Night gave us a theatrical backdrop for our stories. I am no stranger to editing O’Neill’s plays\, but this time I needed to edit the plays so actors could maintain a safe social distance while also allowing the characters and their stories to be represented truthfully. As directors and actors\, we need to justify character actions on stage if we are going to tell a story honestly and touch on universal human truths. I told the ensemble of nine actors that I had removed all “fighting\, kissing\, and sitting” in the three scripts while still pursuing the spirit of O’Neill’s work. We were going to keep our distance\, keep it moving\, and still build dramatic tension. \nThis meant that\, as a director\, I not only had to block out the movements of the play\, as I normally would\, but I had to justify the additional space between actors and create emotionally connected moments while keeping actors 6 feet apart. The actors adapted quickly to this strategy. A key ingredient to the magic of live theatre comes from the dynamic energy exchanged when actors look into each other’s eyes and hear each other speak from the heart. I wanted these plays\, despite being recorded\, to capture that magic. \nOver a two-week period in late July and early August\, we rehearsed and then\, page by page\, videotaped our three early O’Neill plays: The Web\, Abortion\, and Recklessness. As a director\, and now cameraman\, I tried to vary the shots to add visual variety. I told the actors we are creating recorded stage performances\, not a film. I wanted them to concentrate on each other and forget the camera. \nWe completed the crucial step of coming together to create\, and now it is my responsibility to see that all the footage recorded in the Old Barn is edited and shaped into compelling theatre. All three plays touch on the limitations placed on women in the early 20th century—issues of class\, economic power (who has it and who does not)\, access to medical care\, the right to an abortion\, and police bias. O’Neill wrote these plays more than 100 years ago\, but he chose challenging subjects that our society still struggles with today. We look forward to sharing these stories with our audiences this fall. \nFor more on the three plays\, please check back here\, and sign up to get our emailings! \nThe Foundation would appreciate your donations to cover hiring our nine actors and other production-related expenses. \n  \nDISCUSSIONS WITH SCHOLARS \n“THE WEB” DRAMATURGY PACKET \nCHECK OUT OUR VIRTUAL GENE PAGE HERE \n  \n \n  \n  \n  \n  \n  \nYour donation helps cover production costs and enables us to continue bringing performances and programs that promote the legacy and vision of America’s greatest playwright. Thank you for supporting the foundation! \nDONATE HERE! \n 
URL:https://eugeneoneill.org/event/oneills-lost-plays-offered-virtually-this-october/
LOCATION:CA
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2020/08/Cropped-Courtyard-Read-Thru-Discussion-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20201003T170000
DTEND;TZID=UTC:20201003T190000
DTSTAMP:20260403T150016
CREATED:20200817T232534Z
LAST-MODIFIED:20200817T232534Z
UID:6206-1601744400-1601751600@eugeneoneill.org
SUMMARY:The Lost Plays
DESCRIPTION:  \nANNOUNCING: lost plays now found \nDid you miss our live presentations of The Web\, and Recklessness? Not to worry\, you can watch them here:\nO’Neill’s The Web \nO’Neill’s Recklessness \n  \n  \n  \nDISCUSSIONS WITH SCHOLARS \nCHECK OUT OUR VIRTUAL GENE PAGE HERE \n  \nStudents from Miami University of Ohio have created an incredible resource packet in support of our Lost Plays production of The Web. Click the link below to learn more about the issues O’Neill was wrestling with in this play and gain insight into the process of the keeping theatre alive in these unusual times. \n“THE WEB” resource packet \n  \nREGISTER HERE for the lost plays\n\nYou can register for our next two Zoom premieres of the Lost Plays HERE. Each of our premieres will feature a live post-show discussion with Artistic Director Eric Fraisher Hayes\, and our Lost Plays actors. If you are unable to attend these dates\, not to worry; 48 hours after each of our premieres\, we will be posting our plays to YouTube and a link will appear here on our homepage.\n  \nThe Web\, Sat.\, Oct. 3\, 5:00pm PDT\nRecklessness\, sat.\, Oct. 10\, 5:00pm PDT\nAbortion\, sat.\, Oct. 17\, 5:00pm PDT\n  \n\n  \nPresenting the Lost Plays in a Lost Year of Theatre\, \nVirtually\, This October\nBy Eric Fraisher Hayes \nAs the reality of the pandemic began to dawn on me\, I started to brainstorm ways to continue to bring the plays of Eugene O’Neill to our audiences. I knew performing in front of patrons was very unlikely and most of my virtual theatre or “Zoom theatre” experiences have not been satisfying. I longed for the spark created when actors actually share a stage. I began to visualize videotaping O’Neill’s plays in a safe and responsible manner. \nO’Neill’s drafty open-air Old Barn played a key role in my planning. Besides offering the magic of Tao House\, the Old Barn was a covered yet safe space to work. Additionally\, the remnants of the set from last fall’s production of Long Day’s Journey Into Night gave us a theatrical backdrop for our stories. I am no stranger to editing O’Neill’s plays\, but this time I needed to edit the plays so actors could maintain a safe social distance while also allowing the characters and their stories to be represented truthfully. As directors and actors\, we need to justify character actions on stage if we are going to tell a story honestly and touch on universal human truths. I told the ensemble of nine actors that I had removed all “fighting\, kissing\, and sitting” in the three scripts while still pursuing the spirit of O’Neill’s work. We were going to keep our distance\, keep it moving\, and still build dramatic tension. \nThis meant that\, as a director\, I not only had to block out the movements of the play\, as I normally would\, but I had to justify the additional space between actors and create emotionally connected moments while keeping actors 6 feet apart. The actors adapted quickly to this strategy. A key ingredient to the magic of live theatre comes from the dynamic energy exchanged when actors look into each other’s eyes and hear each other speak from the heart. I wanted these plays\, despite being recorded\, to capture that magic. \nOver a two-week period in late July and early August\, we rehearsed and then\, page by page\, videotaped our three early O’Neill plays: The Web\, Abortion\, and Recklessness. As a director\, and now cameraman\, I tried to vary the shots to add visual variety. I told the actors we are creating recorded stage performances\, not a film. I wanted them to concentrate on each other and forget the camera. \nWe completed the crucial step of coming together to create\, and now it is my responsibility to see that all the footage recorded in the Old Barn is edited and shaped into compelling theatre. All three plays touch on the limitations placed on women in the early 20th century—issues of class\, economic power (who has it and who does not)\, access to medical care\, the right to an abortion\, and police bias. O’Neill wrote these plays more than 100 years ago\, but he chose challenging subjects that our society still struggles with today. We look forward to sharing these stories with our audiences this fall. \nFor more on the three plays\, please check back here\, and sign up to get our emailings! \nThe Foundation would appreciate your donations to cover hiring our nine actors and other production-related expenses. \n  \nDISCUSSIONS WITH SCHOLARS \n“THE WEB” DRAMATURGY PACKET \nCHECK OUT OUR VIRTUAL GENE PAGE HERE \n  \n \n  \n  \n  \n  \n  \nYour donation helps cover production costs and enables us to continue bringing performances and programs that promote the legacy and vision of America’s greatest playwright. Thank you for supporting the foundation! \nDONATE HERE! \n 
URL:https://eugeneoneill.org/event/oneills-lost-plays-offered-virtually-this-october/
LOCATION:CA
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2020/08/Cropped-Courtyard-Read-Thru-Discussion-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20201016T170000
DTEND;TZID=UTC:20201016T190000
DTSTAMP:20260403T150016
CREATED:20201012T221412Z
LAST-MODIFIED:20201012T221412Z
UID:6511-1602867600-1602874800@eugeneoneill.org
SUMMARY:O'Neill Pop-Up Outdoor Birthday Party\,    Cottage Jewel\, Danville
DESCRIPTION:Friends and Members of the Eugene O’Neill Foundation \nJoin a birthday party for Eugene O’Neill \nFriday\, October 16\, 5:00-7:00 pm \n  \nA Covid-safe pop-up event in front of Cottage Jewel Antiques \n391 Hartz Ave.\, Danville \nRemarks by Mayor Karen Stepper \n  \nCupcakes and a chance to win amazing gifts\, including a handmade  acorn cottage by folk artist Melissa Terecke\, plus a $1.00 off token for beverage or food at nearby Auburn Lounge. \n \n 
URL:https://eugeneoneill.org/event/oneill-pop-up-outdoor-birthday-party-cottage-jewel-391-hartz-ave/
LOCATION:CA
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2017/04/ONeill-Blemie-Tao-House-Banner.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20201003T170000
DTEND;TZID=UTC:20201003T190000
DTSTAMP:20260403T150016
CREATED:20200817T232534Z
LAST-MODIFIED:20200817T232534Z
UID:6206-1601744400-1601751600@eugeneoneill.org
SUMMARY:The Lost Plays
DESCRIPTION:  \nANNOUNCING: lost plays now found \nDid you miss our live presentations of The Web\, and Recklessness? Not to worry\, you can watch them here:\nO’Neill’s The Web \nO’Neill’s Recklessness \n  \n  \n  \nDISCUSSIONS WITH SCHOLARS \nCHECK OUT OUR VIRTUAL GENE PAGE HERE \n  \nStudents from Miami University of Ohio have created an incredible resource packet in support of our Lost Plays production of The Web. Click the link below to learn more about the issues O’Neill was wrestling with in this play and gain insight into the process of the keeping theatre alive in these unusual times. \n“THE WEB” resource packet \n  \nREGISTER HERE for the lost plays\n\nYou can register for our next two Zoom premieres of the Lost Plays HERE. Each of our premieres will feature a live post-show discussion with Artistic Director Eric Fraisher Hayes\, and our Lost Plays actors. If you are unable to attend these dates\, not to worry; 48 hours after each of our premieres\, we will be posting our plays to YouTube and a link will appear here on our homepage.\n  \nThe Web\, Sat.\, Oct. 3\, 5:00pm PDT\nRecklessness\, sat.\, Oct. 10\, 5:00pm PDT\nAbortion\, sat.\, Oct. 17\, 5:00pm PDT\n  \n\n  \nPresenting the Lost Plays in a Lost Year of Theatre\, \nVirtually\, This October\nBy Eric Fraisher Hayes \nAs the reality of the pandemic began to dawn on me\, I started to brainstorm ways to continue to bring the plays of Eugene O’Neill to our audiences. I knew performing in front of patrons was very unlikely and most of my virtual theatre or “Zoom theatre” experiences have not been satisfying. I longed for the spark created when actors actually share a stage. I began to visualize videotaping O’Neill’s plays in a safe and responsible manner. \nO’Neill’s drafty open-air Old Barn played a key role in my planning. Besides offering the magic of Tao House\, the Old Barn was a covered yet safe space to work. Additionally\, the remnants of the set from last fall’s production of Long Day’s Journey Into Night gave us a theatrical backdrop for our stories. I am no stranger to editing O’Neill’s plays\, but this time I needed to edit the plays so actors could maintain a safe social distance while also allowing the characters and their stories to be represented truthfully. As directors and actors\, we need to justify character actions on stage if we are going to tell a story honestly and touch on universal human truths. I told the ensemble of nine actors that I had removed all “fighting\, kissing\, and sitting” in the three scripts while still pursuing the spirit of O’Neill’s work. We were going to keep our distance\, keep it moving\, and still build dramatic tension. \nThis meant that\, as a director\, I not only had to block out the movements of the play\, as I normally would\, but I had to justify the additional space between actors and create emotionally connected moments while keeping actors 6 feet apart. The actors adapted quickly to this strategy. A key ingredient to the magic of live theatre comes from the dynamic energy exchanged when actors look into each other’s eyes and hear each other speak from the heart. I wanted these plays\, despite being recorded\, to capture that magic. \nOver a two-week period in late July and early August\, we rehearsed and then\, page by page\, videotaped our three early O’Neill plays: The Web\, Abortion\, and Recklessness. As a director\, and now cameraman\, I tried to vary the shots to add visual variety. I told the actors we are creating recorded stage performances\, not a film. I wanted them to concentrate on each other and forget the camera. \nWe completed the crucial step of coming together to create\, and now it is my responsibility to see that all the footage recorded in the Old Barn is edited and shaped into compelling theatre. All three plays touch on the limitations placed on women in the early 20th century—issues of class\, economic power (who has it and who does not)\, access to medical care\, the right to an abortion\, and police bias. O’Neill wrote these plays more than 100 years ago\, but he chose challenging subjects that our society still struggles with today. We look forward to sharing these stories with our audiences this fall. \nFor more on the three plays\, please check back here\, and sign up to get our emailings! \nThe Foundation would appreciate your donations to cover hiring our nine actors and other production-related expenses. \n  \nDISCUSSIONS WITH SCHOLARS \n“THE WEB” DRAMATURGY PACKET \nCHECK OUT OUR VIRTUAL GENE PAGE HERE \n  \n \n  \n  \n  \n  \n  \nYour donation helps cover production costs and enables us to continue bringing performances and programs that promote the legacy and vision of America’s greatest playwright. Thank you for supporting the foundation! \nDONATE HERE! \n 
URL:https://eugeneoneill.org/event/oneills-lost-plays-offered-virtually-this-october/
LOCATION:CA
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2020/08/Cropped-Courtyard-Read-Thru-Discussion-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210131
DTEND;VALUE=DATE:20210201
DTSTAMP:20260403T150016
CREATED:20200518T234207Z
LAST-MODIFIED:20200518T234207Z
UID:6112-1612051200-1612137599@eugeneoneill.org
SUMMARY:2021 Tao House Day-Use application deadline
DESCRIPTION:Bay Area Artists Bring your project–writing\, painting\, directing–to a serene and beautiful place\, Tao House at the Eugene O’Neill National Historic Site in Danville. Apply by January 31 for the summer session of the Travis Bogard Day-Use Fellowship. Social distancing is required at the site until further notice. Guidelines and Application HERE\n  \nThe Travis Bogard Day-Use Program offers Bay Area artists access to the Eugene O’Neill National Historic Site five days a week from 9:00 a.m. until 5:00 p.m. Fellows may work in scholarly or creative writing\, playwriting\, or the visual arts\, including stage design. Artists may work alone or as a team\, perhaps workshopping a play. Fellowships will be scheduled in weekly increments\, which need not be contiguous. Applicants\, who must be at least 21 years old\, will submit an e-mailed application including specifics of the project\, curriculum vitae\, references\, and an explanation of why dedicated time at Tao House is important to the project. Applicants may also apply to use the library and archive of theatre materials. Use of an office\, including wi-fi and a wi-fi-accessible printer\, will be available to fellows during the day Wednesday through Sunday. \n 
URL:https://eugeneoneill.org/event/tao-house-day-use-application-deadline/
LOCATION:CA
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2016/10/IMG_7585-4.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210327T093000
DTEND;TZID=UTC:20210327T150000
DTSTAMP:20260403T150016
CREATED:20210217T072257Z
LAST-MODIFIED:20210217T072257Z
UID:6813-1616837400-1616857200@eugeneoneill.org
SUMMARY:Virtual Student Day 2021!
DESCRIPTION:EXPRESS YOURSELF!\n  \n \nSaturday\, March 27\, 9:30 – 3pm \nJoin us for a FREE virtual (Zoom) One-Day Master Class in acting and playwriting. Our online\, creative workshop is led by professional artists through the Eugene O’Neill Foundation\, Tao House. Open to all high school students. 9:30 am to 3:00 pm\, with a half hour lunch break at noon. \nApply NOW as space is limited. \n  \n  \nWe are able to provide these educational programs for FREE\, thanks to the very generous support of the Dean and Margaret Lesher Foundation and the Wood Foundation. \n  \n \nMeet Norman Gee\, Student Day Coordinator\, in this invitational video! \n  \n  \n  \n  \nStudents must have a video camera set up for Zoom\, with good sound\, and strong  internet connection. Students must also have a clear space to be able to stand\, move\, and be seen by the camera (standing behind your chair is fine). Green-screen capability not required\, but we will be discussing its use. Try to at least have a space behind you with a blank wall. \nClothing: wear something comfortable\, that you can move in. \n  \nAPPLY HERE\n  \n[contact-form-7 id=”6818″ title=”Virtual Student Day 2021 Application Form”] \n  \nOnce you apply online\, we will contact you with further information soon! \nIf you do to hear back from us\, please contact Norman Gee\, Program Director\, at oaklandpublic@gmail.com \n 
URL:https://eugeneoneill.org/event/virtual-student-day-2021/
LOCATION:CA
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2021/02/Studio-Retreat-group-pano.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210422T190000
DTEND;TZID=UTC:20210422T201500
DTSTAMP:20260403T150016
CREATED:20210326T002951Z
LAST-MODIFIED:20210326T002951Z
UID:6922-1619118000-1619122500@eugeneoneill.org
SUMMARY:A Conversation with Zander Brietzke
DESCRIPTION:  \n  \n  \n  \n  \n  \n  \n  \n  \n  \nWhen Eugene O’Neill moved into Tao House\, he had designs on a sprawling series of 11 plays capturing the spirit of the American story through the life of an Irish-American family.  Unfortunately\, only two of the plays\, A Touch of the Poet and More Stately Mansions survive. In his new book Magnum Opus: The Cycle Plays of Eugene O’Neill\, author Zander Brietzke argues that the abandoned project was more successful than traditionally thought. Brietzke provocatively makes the case that the heart of the intended cycle lives in the 2 existing plays and that the true center of this epic endeavor is the Irish immigrant Sara Melody. Join us for a conversation between Zander Brietzke and EONF Artistic Director Eric Fraisher Hayes on April 22\, 2021\, 7:00 pm PDT. \nJOIN THE ZOOM CONVERSATION HERE \nORDER THE BOOK HERE! \n  \n \nZander Brietzke\, author; Magnum Opus: The Cycle Plays of Eugene O’Neill \n  \nZander Brietzke graduated from Missouri Southern (BA\, Theatre) in his hometown of Joplin\, MO. He earned an MFA (directing) from The University of Alabama (1985) and later worked as a production assistant for the inaugural seasons of the Alabama Shakespeare Festival in Montgomery (1985–1987). Pivoting from performance to research and scholarship\, Zander accepted a fellowship from Stanford University and completed a PhD in Drama in 1993. He subsequently taught theatre history and dramatic literature at Lehigh University and The College of Wooster for six years. \nHe left Ohio in 1998 to support his wife’s publishing career in New York. Staying home in Cobble Hill\, Brooklyn\, with two small children\, Zander embarked on a new path as a stay-at-home dad and independent scholar. He wrote one prior monograph on O’Neill\, The Aesthetics of Failure (2001)\, followed by American Drama in the Age of Film (2007)\, Teaching with the Norton Anthology of Drama (2009)\, and Action and Consequence in Ibsen\, Strindberg & Chekhov(2017). Zander served as president of the Eugene O’Neill Society in 2004–05\, edited seven volumes of the Eugene O’Neill Review from 2004 until 2010\, and is now the book editor of the journal. He has also taught modern and contemporary drama regularly in the English Department at Columbia University on a part-time basis—and he would gladly accept a full-time appointment almost anywhere! \nHe and his wife\, Carol\, currently live in the lovely town of Montclair\, New Jersey. \nZander Brietzke\, MFA\, PhD\nWebsite: zanderbrietzke.com\nBook Editor: The Eugene O’Neill Review\nAuthor: Magnum Opus: The Cycle Plays of Eugene O’Neill (Yale 2021)
URL:https://eugeneoneill.org/event/a-conversation-with-zander-brietzke/
LOCATION:CA
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2021/03/Bookshelf-pano.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210721T083000
DTEND;TZID=UTC:20210801T153000
DTSTAMP:20260403T150016
CREATED:20210520T235030Z
LAST-MODIFIED:20210520T235030Z
UID:7063-1626856200-1627831800@eugeneoneill.org
SUMMARY:Studio Retreat 2021
DESCRIPTION:We are very excited to host Studio Retreat on site again! Join us for this FREE\, TEN-DAY creative workshop led by Bay Area professionals at Tao House\, Danville\, home of Nobel Prize-winning playwright EUGENE O’NEILL. \nDates: \nWednesday\, July 21 through Sunday\, August 1 (with a 2-day break on Monday\, July 26  and Tuesday\, July 27.) \nMore Info HERE \nTo Apply: \nPlease complete all fields and click on SEND at the bottom. \nMake sure you see our message “Thank you for your message. It has been sent!” after you click on SEND. We will contact you within a week of your application\, but please email us if you don’t hear\, or if you have questions. \nYou can also print out this page and email it to us at taohouse.eonf@gmail.com AND oaklandpublic@gmail.com \nThe Studio Retreat program will follow CDC protocols for COVID-19\, which will be provided to all participants prior to the retreat. \n[contact-form-7 id=”7068″ title=”Studio Retreat Application Form 2021″]
URL:https://eugeneoneill.org/event/studio-retreat-2021/
LOCATION:CA
CATEGORIES:Educational Event
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2021/02/Studio-Retreat-group-pano.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210818T190000
DTEND;TZID=UTC:20210818T203000
DTSTAMP:20260403T150016
CREATED:20210705T231820Z
LAST-MODIFIED:20210705T231820Z
UID:7244-1629313200-1629318600@eugeneoneill.org
SUMMARY:"Beyond the Horizon" Virtual Sneak Peek
DESCRIPTION:Join us for a special virtual conversation with production dramaturg Beth Wynstra and director Eric Fraisher Hayes as they discuss the history and issues at work in Eugene O’Neill’s first Pulitzer Prize-winning play as well as the process of putting together our Tao House production. \n  \nWed.\, Aug. 18\, 7pm Pacific\, 2021 \nREGISTER HERE \nA special Beyond the Horizon engagement guide and video scholar commentary will be offered in support of our production.
URL:https://eugeneoneill.org/event/beyond-the-horizon-sneak-peek/
LOCATION:CA
ATTACH;FMTTYPE=image/png:https://eugeneoneill.org/wp-content/uploads/2020/10/Screen-Shot-2020-10-01-at-2.50.07-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210925T160000
DTEND;TZID=UTC:20210925T193000
DTSTAMP:20260403T150016
CREATED:20210705T233718Z
LAST-MODIFIED:20210705T233718Z
UID:7250-1632585600-1632598200@eugeneoneill.org
SUMMARY:"Beyond the Horizon" Live at Tao House
DESCRIPTION:The play Beyond the Horizon calls for a combination of outdoor and indoor scenes\, which have traditionally been difficult to represent. Our production will be filmed to highlight the natural beauty and farm-like qualities of the Tao House property.  Additionally\, two live performances of the play will take place with seating at reduced capacity. These special live performances will utilize a combination of outdoor and indoor settings which require some minimal walking. Please read our FAQs before purchasing tickets. \nBeyond the Horizon Live at Tao House: Sat Sept 25\, 4pm  \n(and Sun Sep 26\, 4pm\, and watch for Beyond the Horizon\, the Film: Sat Oct 2) \nTICKETS HERE
URL:https://eugeneoneill.org/event/beyond-the-horizon/
LOCATION:CA
CATEGORIES:O'Neill Festival
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2017/04/panoramic-view-Mt-Diablo-Tao-House.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210926T160000
DTEND;TZID=UTC:20210926T193000
DTSTAMP:20260403T150016
CREATED:20210705T234216Z
LAST-MODIFIED:20210705T234216Z
UID:7254-1632672000-1632684600@eugeneoneill.org
SUMMARY:"Beyond the Horizon" Live at Tao House
DESCRIPTION:The play Beyond the Horizon calls for a combination of outdoor and indoor scenes\, which have traditionally been difficult to represent. Our production will be filmed to highlight the natural beauty and farm-like qualities of the Tao House property.  Additionally\, two live performances of the play will take place with seating at reduced capacity. These special live performances will utilize a combination of outdoor and indoor settings which require some minimal walking. Please read our FAQs before purchasing tickets. \nBeyond the Horizon Live: Sun Sep 26\, 4pm \n(also Sat Sep 25\, 4pm\, and watch for Beyond the Horizon\, the Film: Sat Oct 2) \n  \nTICKETS HERE
URL:https://eugeneoneill.org/event/beyond-the-horizon-live-at-tao-house/
LOCATION:CA
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2017/04/panoramic-view-Mt-Diablo-Tao-House.jpg
END:VEVENT
END:VCALENDAR