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X-ORIGINAL-URL:https://eugeneoneill.org
X-WR-CALDESC:Events for Eugene O'Neill Foundation, Tao House
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DTSTART:20180101T000000
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BEGIN:VEVENT
DTSTART;TZID=UTC:20190905T200000
DTEND;TZID=UTC:20190905T213000
DTSTAMP:20260403T143932
CREATED:20190603T061132Z
LAST-MODIFIED:20190603T061132Z
UID:4888-1567713600-1567719000@eugeneoneill.org
SUMMARY:Soprano Clodagh Kinsella concert
DESCRIPTION:Join us in Danville for an evening with Soprano Clodagh Kinsella and Pianist Keith Stears \nConcert: Irish Airs and Arias  \nIrish soprano Clodagh Kinsella and pianist Keith Stears bring their unique interpretations to Irish airs and to opera arias. This new-generation duo interweaves their heritage and their classical training to pay homage to the old traditions in a new and exciting way. Clodagh electrified audiences at last year’s Eugene O’Neill International Festival of Theatre in New Ross\, Ireland\, with her rendition of “Shenandoah” during the play Mourning Becomes Electra. She has appeared in many operatic roles and in concerts from Budapest to New York. Keith\, winner of numerous competitions\, performs regularly in Europe and America. \nVillage Theatre\, Danville. Performance: September 5\, 8:00 pm \nCost: $25      Sponsored by Chevron \nTickets HERE \n 
URL:https://eugeneoneill.org/event/soprano-clodagh-kinsella-concert/
CATEGORIES:O'Neill Festival
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190908
DTEND;VALUE=DATE:20190909
DTSTAMP:20260403T143932
CREATED:20190802T090718Z
LAST-MODIFIED:20190802T090718Z
UID:5065-1567900800-1567987199@eugeneoneill.org
SUMMARY:Hills of Solace: Annual Hike to Tao House
DESCRIPTION:Sun.\, Sept. 8\, 9:00 am   FREE  \nA 3.1-mile hike from Front Street Park in Danville\, along the Iron Horse Trail and into the Las Trampas Hills\, led by National Park Service and East Bay Regional Park District rangers. At the Eugene O’Neill National Historic Site\, tour Tao House\, enjoy your brown-bag lunch at picnic tables\, and hike back to Danville or catch the NPS shuttle. \nPlease register by Sept. 5 HERE
URL:https://eugeneoneill.org/event/hills-of-solace-annual-hike-to-tao-house/
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2019/03/thumbnail_IMG_4427.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190914T193000
DTEND;TZID=UTC:20190914T223000
DTSTAMP:20260403T143932
CREATED:20190802T085028Z
LAST-MODIFIED:20190802T085028Z
UID:5058-1568489400-1568500200@eugeneoneill.org
SUMMARY:Long Day's Journey Into Night opening night!
DESCRIPTION:By Eugene O’Neill       \nDirected by Eric Fraisher Hayes  \n Presented by the Eugene O’Neill Foundation\, Tao House \nOld Barn\, Eugene O’Neill National Historic Site\, Danville      \nA son’s looming health diagnosis and a mother’s drug addiction hang over the Tyrone family. The four wounded Tyrones confront the powerful and contradictory feelings they have for each other.  \nLong Day’s Journey Into Night is considered by many to be the greatest American tragedy ever written.  \nPurchase gourmet picnics\, available before all performances. Catch National Park Service shuttles starting at 5:30 pm for evening shows or 12:00 pm for matinées. \nSept. 14\, 19\, 20\, 21\, 26\, 27 and 28      7:30 pm \nMatinées: Sept. 15\, 22 and 29     2:00 pm \n  \nTickets at www.villagetheatreshows.com
URL:https://eugeneoneill.org/event/long-days-journey-into-night-opening-night/
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2019/07/IMG0797_edited-1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190921T140000
DTEND;TZID=UTC:20190921T160000
DTSTAMP:20260403T143932
CREATED:20190802T091719Z
LAST-MODIFIED:20190802T091719Z
UID:5070-1569074400-1569081600@eugeneoneill.org
SUMMARY:Secrets of O'Neill's Danville: History Walk
DESCRIPTION:Sat.\, Sept. 21\, 2:00 pm    FREE \nBeverly Lane\, former Mayor of Danville and local historian\, leads a leisurely walking tour beginning at Front Street Park (also known as Eugene O’Neill Commemorative Park\, featuring the plays written at Tao House) in downtown Danville.     
URL:https://eugeneoneill.org/event/secrets-of-oneills-danville-history-walk/
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2019/03/MSRV-photo-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191009
DTEND;VALUE=DATE:20191010
DTSTAMP:20260403T143932
CREATED:20190802T092336Z
LAST-MODIFIED:20190802T092336Z
UID:5072-1570579200-1570665599@eugeneoneill.org
SUMMARY:One Festival\, Two Countries: Eugene O'Neill Festival of Theatre
DESCRIPTION:Festival Tour Packages 2019  \nThe 2nd Annual Eugene O’Neill Festival of Theatre\, a partnership of the O’Neill Ancestral Trust of Ireland and the Eugene O’Neill Foundation\, Tao House\, is Oct. 9–13\, again celebrating the Friendship Cities of Danville and New Ross. \nThe Tao House production of Long Day’s Journey Into Night directed by Eric Fraisher Hayes will join these Irish presentations: \n  \nO’Neill’s Strange Interlude\, a staged reading directed by Ben Barnes \nS.S. Glencairn sea plays aboard the Dunbrody famine ship replica \nThe Diary of Maynard Perdu written and directed by Billy Roche \nPresentations by American O’Neill scholars \nDaytime tours nearby \nExtended tour to Northern Ireland and Dublin\, Oct. 14–20    \nFor more: www.eugeneoneillfestival.com
URL:https://eugeneoneill.org/event/one-festival-two-countries-eugene-oneill-festival-of-theatre/
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2019/04/Ireland-Festival-brochure-image-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191115
DTEND;VALUE=DATE:20191116
DTSTAMP:20260403T143932
CREATED:20191025T065305Z
LAST-MODIFIED:20191025T065305Z
UID:5350-1573776000-1573862399@eugeneoneill.org
SUMMARY:AIR Application Deadline
DESCRIPTION:Travis Bogard Artist in Residence Program at Tao House  \nApplication Deadline: November 15\, 2019  \nDeveloping or established playwrights\, theatre directors\, scholars\, or critics of the performing arts are invited to apply for a 2020 fellowship of up to one month at the Eugene O’Neill National Historic Site\, Danville\, California  \nAs a Tao House Fellow you will:  \nWork in the solitude of Tao House\, in the creative atmosphere in which America’s only Nobel Prize–winning playwright produced his masterpieces (subject of fellow’s study need not be related to O’Neill)  \nLive offsite in comfortable\, contemplative surroundings\, with meals and local transportation provided  \nHave access to Tao House research library and archive holdings in American theatre\, including documents\, photographs\, and unique collections on O’Neill’s life and work  \nSelect your preferred time of residence between May 1 and October 31\, 2020  \n 
URL:https://eugeneoneill.org/event/air-application-deadline-2/
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2017/04/e-news-Spring-2017-AIR-hero-photo.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20201003T170000
DTEND;TZID=UTC:20201003T190000
DTSTAMP:20260403T143932
CREATED:20200817T232534Z
LAST-MODIFIED:20200817T232534Z
UID:6206-1601744400-1601751600@eugeneoneill.org
SUMMARY:The Lost Plays
DESCRIPTION:  \nANNOUNCING: lost plays now found \nDid you miss our live presentations of The Web\, and Recklessness? Not to worry\, you can watch them here:\nO’Neill’s The Web \nO’Neill’s Recklessness \n  \n  \n  \nDISCUSSIONS WITH SCHOLARS \nCHECK OUT OUR VIRTUAL GENE PAGE HERE \n  \nStudents from Miami University of Ohio have created an incredible resource packet in support of our Lost Plays production of The Web. Click the link below to learn more about the issues O’Neill was wrestling with in this play and gain insight into the process of the keeping theatre alive in these unusual times. \n“THE WEB” resource packet \n  \nREGISTER HERE for the lost plays\n\nYou can register for our next two Zoom premieres of the Lost Plays HERE. Each of our premieres will feature a live post-show discussion with Artistic Director Eric Fraisher Hayes\, and our Lost Plays actors. If you are unable to attend these dates\, not to worry; 48 hours after each of our premieres\, we will be posting our plays to YouTube and a link will appear here on our homepage.\n  \nThe Web\, Sat.\, Oct. 3\, 5:00pm PDT\nRecklessness\, sat.\, Oct. 10\, 5:00pm PDT\nAbortion\, sat.\, Oct. 17\, 5:00pm PDT\n  \n\n  \nPresenting the Lost Plays in a Lost Year of Theatre\, \nVirtually\, This October\nBy Eric Fraisher Hayes \nAs the reality of the pandemic began to dawn on me\, I started to brainstorm ways to continue to bring the plays of Eugene O’Neill to our audiences. I knew performing in front of patrons was very unlikely and most of my virtual theatre or “Zoom theatre” experiences have not been satisfying. I longed for the spark created when actors actually share a stage. I began to visualize videotaping O’Neill’s plays in a safe and responsible manner. \nO’Neill’s drafty open-air Old Barn played a key role in my planning. Besides offering the magic of Tao House\, the Old Barn was a covered yet safe space to work. Additionally\, the remnants of the set from last fall’s production of Long Day’s Journey Into Night gave us a theatrical backdrop for our stories. I am no stranger to editing O’Neill’s plays\, but this time I needed to edit the plays so actors could maintain a safe social distance while also allowing the characters and their stories to be represented truthfully. As directors and actors\, we need to justify character actions on stage if we are going to tell a story honestly and touch on universal human truths. I told the ensemble of nine actors that I had removed all “fighting\, kissing\, and sitting” in the three scripts while still pursuing the spirit of O’Neill’s work. We were going to keep our distance\, keep it moving\, and still build dramatic tension. \nThis meant that\, as a director\, I not only had to block out the movements of the play\, as I normally would\, but I had to justify the additional space between actors and create emotionally connected moments while keeping actors 6 feet apart. The actors adapted quickly to this strategy. A key ingredient to the magic of live theatre comes from the dynamic energy exchanged when actors look into each other’s eyes and hear each other speak from the heart. I wanted these plays\, despite being recorded\, to capture that magic. \nOver a two-week period in late July and early August\, we rehearsed and then\, page by page\, videotaped our three early O’Neill plays: The Web\, Abortion\, and Recklessness. As a director\, and now cameraman\, I tried to vary the shots to add visual variety. I told the actors we are creating recorded stage performances\, not a film. I wanted them to concentrate on each other and forget the camera. \nWe completed the crucial step of coming together to create\, and now it is my responsibility to see that all the footage recorded in the Old Barn is edited and shaped into compelling theatre. All three plays touch on the limitations placed on women in the early 20th century—issues of class\, economic power (who has it and who does not)\, access to medical care\, the right to an abortion\, and police bias. O’Neill wrote these plays more than 100 years ago\, but he chose challenging subjects that our society still struggles with today. We look forward to sharing these stories with our audiences this fall. \nFor more on the three plays\, please check back here\, and sign up to get our emailings! \nThe Foundation would appreciate your donations to cover hiring our nine actors and other production-related expenses. \n  \nDISCUSSIONS WITH SCHOLARS \n“THE WEB” DRAMATURGY PACKET \nCHECK OUT OUR VIRTUAL GENE PAGE HERE \n  \n \n  \n  \n  \n  \n  \nYour donation helps cover production costs and enables us to continue bringing performances and programs that promote the legacy and vision of America’s greatest playwright. Thank you for supporting the foundation! \nDONATE HERE! \n 
URL:https://eugeneoneill.org/event/oneills-lost-plays-offered-virtually-this-october/
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2020/08/Cropped-Courtyard-Read-Thru-Discussion-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20201003T170000
DTEND;TZID=UTC:20201003T190000
DTSTAMP:20260403T143932
CREATED:20200817T232534Z
LAST-MODIFIED:20200817T232534Z
UID:6206-1601744400-1601751600@eugeneoneill.org
SUMMARY:The Lost Plays
DESCRIPTION:  \nANNOUNCING: lost plays now found \nDid you miss our live presentations of The Web\, and Recklessness? Not to worry\, you can watch them here:\nO’Neill’s The Web \nO’Neill’s Recklessness \n  \n  \n  \nDISCUSSIONS WITH SCHOLARS \nCHECK OUT OUR VIRTUAL GENE PAGE HERE \n  \nStudents from Miami University of Ohio have created an incredible resource packet in support of our Lost Plays production of The Web. Click the link below to learn more about the issues O’Neill was wrestling with in this play and gain insight into the process of the keeping theatre alive in these unusual times. \n“THE WEB” resource packet \n  \nREGISTER HERE for the lost plays\n\nYou can register for our next two Zoom premieres of the Lost Plays HERE. Each of our premieres will feature a live post-show discussion with Artistic Director Eric Fraisher Hayes\, and our Lost Plays actors. If you are unable to attend these dates\, not to worry; 48 hours after each of our premieres\, we will be posting our plays to YouTube and a link will appear here on our homepage.\n  \nThe Web\, Sat.\, Oct. 3\, 5:00pm PDT\nRecklessness\, sat.\, Oct. 10\, 5:00pm PDT\nAbortion\, sat.\, Oct. 17\, 5:00pm PDT\n  \n\n  \nPresenting the Lost Plays in a Lost Year of Theatre\, \nVirtually\, This October\nBy Eric Fraisher Hayes \nAs the reality of the pandemic began to dawn on me\, I started to brainstorm ways to continue to bring the plays of Eugene O’Neill to our audiences. I knew performing in front of patrons was very unlikely and most of my virtual theatre or “Zoom theatre” experiences have not been satisfying. I longed for the spark created when actors actually share a stage. I began to visualize videotaping O’Neill’s plays in a safe and responsible manner. \nO’Neill’s drafty open-air Old Barn played a key role in my planning. Besides offering the magic of Tao House\, the Old Barn was a covered yet safe space to work. Additionally\, the remnants of the set from last fall’s production of Long Day’s Journey Into Night gave us a theatrical backdrop for our stories. I am no stranger to editing O’Neill’s plays\, but this time I needed to edit the plays so actors could maintain a safe social distance while also allowing the characters and their stories to be represented truthfully. As directors and actors\, we need to justify character actions on stage if we are going to tell a story honestly and touch on universal human truths. I told the ensemble of nine actors that I had removed all “fighting\, kissing\, and sitting” in the three scripts while still pursuing the spirit of O’Neill’s work. We were going to keep our distance\, keep it moving\, and still build dramatic tension. \nThis meant that\, as a director\, I not only had to block out the movements of the play\, as I normally would\, but I had to justify the additional space between actors and create emotionally connected moments while keeping actors 6 feet apart. The actors adapted quickly to this strategy. A key ingredient to the magic of live theatre comes from the dynamic energy exchanged when actors look into each other’s eyes and hear each other speak from the heart. I wanted these plays\, despite being recorded\, to capture that magic. \nOver a two-week period in late July and early August\, we rehearsed and then\, page by page\, videotaped our three early O’Neill plays: The Web\, Abortion\, and Recklessness. As a director\, and now cameraman\, I tried to vary the shots to add visual variety. I told the actors we are creating recorded stage performances\, not a film. I wanted them to concentrate on each other and forget the camera. \nWe completed the crucial step of coming together to create\, and now it is my responsibility to see that all the footage recorded in the Old Barn is edited and shaped into compelling theatre. All three plays touch on the limitations placed on women in the early 20th century—issues of class\, economic power (who has it and who does not)\, access to medical care\, the right to an abortion\, and police bias. O’Neill wrote these plays more than 100 years ago\, but he chose challenging subjects that our society still struggles with today. We look forward to sharing these stories with our audiences this fall. \nFor more on the three plays\, please check back here\, and sign up to get our emailings! \nThe Foundation would appreciate your donations to cover hiring our nine actors and other production-related expenses. \n  \nDISCUSSIONS WITH SCHOLARS \n“THE WEB” DRAMATURGY PACKET \nCHECK OUT OUR VIRTUAL GENE PAGE HERE \n  \n \n  \n  \n  \n  \n  \nYour donation helps cover production costs and enables us to continue bringing performances and programs that promote the legacy and vision of America’s greatest playwright. Thank you for supporting the foundation! \nDONATE HERE! \n 
URL:https://eugeneoneill.org/event/oneills-lost-plays-offered-virtually-this-october/
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2020/08/Cropped-Courtyard-Read-Thru-Discussion-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20201016T170000
DTEND;TZID=UTC:20201016T190000
DTSTAMP:20260403T143932
CREATED:20201012T221412Z
LAST-MODIFIED:20201012T221412Z
UID:6511-1602867600-1602874800@eugeneoneill.org
SUMMARY:O'Neill Pop-Up Outdoor Birthday Party\,    Cottage Jewel\, Danville
DESCRIPTION:Friends and Members of the Eugene O’Neill Foundation \nJoin a birthday party for Eugene O’Neill \nFriday\, October 16\, 5:00-7:00 pm \n  \nA Covid-safe pop-up event in front of Cottage Jewel Antiques \n391 Hartz Ave.\, Danville \nRemarks by Mayor Karen Stepper \n  \nCupcakes and a chance to win amazing gifts\, including a handmade  acorn cottage by folk artist Melissa Terecke\, plus a $1.00 off token for beverage or food at nearby Auburn Lounge. \n \n 
URL:https://eugeneoneill.org/event/oneill-pop-up-outdoor-birthday-party-cottage-jewel-391-hartz-ave/
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2017/04/ONeill-Blemie-Tao-House-Banner.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20201003T170000
DTEND;TZID=UTC:20201003T190000
DTSTAMP:20260403T143932
CREATED:20200817T232534Z
LAST-MODIFIED:20200817T232534Z
UID:6206-1601744400-1601751600@eugeneoneill.org
SUMMARY:The Lost Plays
DESCRIPTION:  \nANNOUNCING: lost plays now found \nDid you miss our live presentations of The Web\, and Recklessness? Not to worry\, you can watch them here:\nO’Neill’s The Web \nO’Neill’s Recklessness \n  \n  \n  \nDISCUSSIONS WITH SCHOLARS \nCHECK OUT OUR VIRTUAL GENE PAGE HERE \n  \nStudents from Miami University of Ohio have created an incredible resource packet in support of our Lost Plays production of The Web. Click the link below to learn more about the issues O’Neill was wrestling with in this play and gain insight into the process of the keeping theatre alive in these unusual times. \n“THE WEB” resource packet \n  \nREGISTER HERE for the lost plays\n\nYou can register for our next two Zoom premieres of the Lost Plays HERE. Each of our premieres will feature a live post-show discussion with Artistic Director Eric Fraisher Hayes\, and our Lost Plays actors. If you are unable to attend these dates\, not to worry; 48 hours after each of our premieres\, we will be posting our plays to YouTube and a link will appear here on our homepage.\n  \nThe Web\, Sat.\, Oct. 3\, 5:00pm PDT\nRecklessness\, sat.\, Oct. 10\, 5:00pm PDT\nAbortion\, sat.\, Oct. 17\, 5:00pm PDT\n  \n\n  \nPresenting the Lost Plays in a Lost Year of Theatre\, \nVirtually\, This October\nBy Eric Fraisher Hayes \nAs the reality of the pandemic began to dawn on me\, I started to brainstorm ways to continue to bring the plays of Eugene O’Neill to our audiences. I knew performing in front of patrons was very unlikely and most of my virtual theatre or “Zoom theatre” experiences have not been satisfying. I longed for the spark created when actors actually share a stage. I began to visualize videotaping O’Neill’s plays in a safe and responsible manner. \nO’Neill’s drafty open-air Old Barn played a key role in my planning. Besides offering the magic of Tao House\, the Old Barn was a covered yet safe space to work. Additionally\, the remnants of the set from last fall’s production of Long Day’s Journey Into Night gave us a theatrical backdrop for our stories. I am no stranger to editing O’Neill’s plays\, but this time I needed to edit the plays so actors could maintain a safe social distance while also allowing the characters and their stories to be represented truthfully. As directors and actors\, we need to justify character actions on stage if we are going to tell a story honestly and touch on universal human truths. I told the ensemble of nine actors that I had removed all “fighting\, kissing\, and sitting” in the three scripts while still pursuing the spirit of O’Neill’s work. We were going to keep our distance\, keep it moving\, and still build dramatic tension. \nThis meant that\, as a director\, I not only had to block out the movements of the play\, as I normally would\, but I had to justify the additional space between actors and create emotionally connected moments while keeping actors 6 feet apart. The actors adapted quickly to this strategy. A key ingredient to the magic of live theatre comes from the dynamic energy exchanged when actors look into each other’s eyes and hear each other speak from the heart. I wanted these plays\, despite being recorded\, to capture that magic. \nOver a two-week period in late July and early August\, we rehearsed and then\, page by page\, videotaped our three early O’Neill plays: The Web\, Abortion\, and Recklessness. As a director\, and now cameraman\, I tried to vary the shots to add visual variety. I told the actors we are creating recorded stage performances\, not a film. I wanted them to concentrate on each other and forget the camera. \nWe completed the crucial step of coming together to create\, and now it is my responsibility to see that all the footage recorded in the Old Barn is edited and shaped into compelling theatre. All three plays touch on the limitations placed on women in the early 20th century—issues of class\, economic power (who has it and who does not)\, access to medical care\, the right to an abortion\, and police bias. O’Neill wrote these plays more than 100 years ago\, but he chose challenging subjects that our society still struggles with today. We look forward to sharing these stories with our audiences this fall. \nFor more on the three plays\, please check back here\, and sign up to get our emailings! \nThe Foundation would appreciate your donations to cover hiring our nine actors and other production-related expenses. \n  \nDISCUSSIONS WITH SCHOLARS \n“THE WEB” DRAMATURGY PACKET \nCHECK OUT OUR VIRTUAL GENE PAGE HERE \n  \n \n  \n  \n  \n  \n  \nYour donation helps cover production costs and enables us to continue bringing performances and programs that promote the legacy and vision of America’s greatest playwright. Thank you for supporting the foundation! \nDONATE HERE! \n 
URL:https://eugeneoneill.org/event/oneills-lost-plays-offered-virtually-this-october/
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2020/08/Cropped-Courtyard-Read-Thru-Discussion-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210131
DTEND;VALUE=DATE:20210201
DTSTAMP:20260403T143932
CREATED:20200518T234207Z
LAST-MODIFIED:20200518T234207Z
UID:6112-1612051200-1612137599@eugeneoneill.org
SUMMARY:2021 Tao House Day-Use application deadline
DESCRIPTION:Bay Area Artists Bring your project–writing\, painting\, directing–to a serene and beautiful place\, Tao House at the Eugene O’Neill National Historic Site in Danville. Apply by January 31 for the summer session of the Travis Bogard Day-Use Fellowship. Social distancing is required at the site until further notice. Guidelines and Application HERE\n  \nThe Travis Bogard Day-Use Program offers Bay Area artists access to the Eugene O’Neill National Historic Site five days a week from 9:00 a.m. until 5:00 p.m. Fellows may work in scholarly or creative writing\, playwriting\, or the visual arts\, including stage design. Artists may work alone or as a team\, perhaps workshopping a play. Fellowships will be scheduled in weekly increments\, which need not be contiguous. Applicants\, who must be at least 21 years old\, will submit an e-mailed application including specifics of the project\, curriculum vitae\, references\, and an explanation of why dedicated time at Tao House is important to the project. Applicants may also apply to use the library and archive of theatre materials. Use of an office\, including wi-fi and a wi-fi-accessible printer\, will be available to fellows during the day Wednesday through Sunday. \n 
URL:https://eugeneoneill.org/event/tao-house-day-use-application-deadline/
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2016/10/IMG_7585-4.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210327T093000
DTEND;TZID=UTC:20210327T150000
DTSTAMP:20260403T143932
CREATED:20210217T072257Z
LAST-MODIFIED:20210217T072257Z
UID:6813-1616837400-1616857200@eugeneoneill.org
SUMMARY:Virtual Student Day 2021!
DESCRIPTION:EXPRESS YOURSELF!\n  \n \nSaturday\, March 27\, 9:30 – 3pm \nJoin us for a FREE virtual (Zoom) One-Day Master Class in acting and playwriting. Our online\, creative workshop is led by professional artists through the Eugene O’Neill Foundation\, Tao House. Open to all high school students. 9:30 am to 3:00 pm\, with a half hour lunch break at noon. \nApply NOW as space is limited. \n  \n  \nWe are able to provide these educational programs for FREE\, thanks to the very generous support of the Dean and Margaret Lesher Foundation and the Wood Foundation. \n  \n \nMeet Norman Gee\, Student Day Coordinator\, in this invitational video! \n  \n  \n  \n  \nStudents must have a video camera set up for Zoom\, with good sound\, and strong  internet connection. Students must also have a clear space to be able to stand\, move\, and be seen by the camera (standing behind your chair is fine). Green-screen capability not required\, but we will be discussing its use. Try to at least have a space behind you with a blank wall. \nClothing: wear something comfortable\, that you can move in. \n  \nAPPLY HERE\n  \n[contact-form-7 id=”6818″ title=”Virtual Student Day 2021 Application Form”] \n  \nOnce you apply online\, we will contact you with further information soon! \nIf you do to hear back from us\, please contact Norman Gee\, Program Director\, at oaklandpublic@gmail.com \n 
URL:https://eugeneoneill.org/event/virtual-student-day-2021/
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2021/02/Studio-Retreat-group-pano.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210422T190000
DTEND;TZID=UTC:20210422T201500
DTSTAMP:20260403T143932
CREATED:20210326T002951Z
LAST-MODIFIED:20210326T002951Z
UID:6922-1619118000-1619122500@eugeneoneill.org
SUMMARY:A Conversation with Zander Brietzke
DESCRIPTION:  \n  \n  \n  \n  \n  \n  \n  \n  \n  \nWhen Eugene O’Neill moved into Tao House\, he had designs on a sprawling series of 11 plays capturing the spirit of the American story through the life of an Irish-American family.  Unfortunately\, only two of the plays\, A Touch of the Poet and More Stately Mansions survive. In his new book Magnum Opus: The Cycle Plays of Eugene O’Neill\, author Zander Brietzke argues that the abandoned project was more successful than traditionally thought. Brietzke provocatively makes the case that the heart of the intended cycle lives in the 2 existing plays and that the true center of this epic endeavor is the Irish immigrant Sara Melody. Join us for a conversation between Zander Brietzke and EONF Artistic Director Eric Fraisher Hayes on April 22\, 2021\, 7:00 pm PDT. \nJOIN THE ZOOM CONVERSATION HERE \nORDER THE BOOK HERE! \n  \n \nZander Brietzke\, author; Magnum Opus: The Cycle Plays of Eugene O’Neill \n  \nZander Brietzke graduated from Missouri Southern (BA\, Theatre) in his hometown of Joplin\, MO. He earned an MFA (directing) from The University of Alabama (1985) and later worked as a production assistant for the inaugural seasons of the Alabama Shakespeare Festival in Montgomery (1985–1987). Pivoting from performance to research and scholarship\, Zander accepted a fellowship from Stanford University and completed a PhD in Drama in 1993. He subsequently taught theatre history and dramatic literature at Lehigh University and The College of Wooster for six years. \nHe left Ohio in 1998 to support his wife’s publishing career in New York. Staying home in Cobble Hill\, Brooklyn\, with two small children\, Zander embarked on a new path as a stay-at-home dad and independent scholar. He wrote one prior monograph on O’Neill\, The Aesthetics of Failure (2001)\, followed by American Drama in the Age of Film (2007)\, Teaching with the Norton Anthology of Drama (2009)\, and Action and Consequence in Ibsen\, Strindberg & Chekhov(2017). Zander served as president of the Eugene O’Neill Society in 2004–05\, edited seven volumes of the Eugene O’Neill Review from 2004 until 2010\, and is now the book editor of the journal. He has also taught modern and contemporary drama regularly in the English Department at Columbia University on a part-time basis—and he would gladly accept a full-time appointment almost anywhere! \nHe and his wife\, Carol\, currently live in the lovely town of Montclair\, New Jersey. \nZander Brietzke\, MFA\, PhD\nWebsite: zanderbrietzke.com\nBook Editor: The Eugene O’Neill Review\nAuthor: Magnum Opus: The Cycle Plays of Eugene O’Neill (Yale 2021)
URL:https://eugeneoneill.org/event/a-conversation-with-zander-brietzke/
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2021/03/Bookshelf-pano.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210721T083000
DTEND;TZID=UTC:20210801T153000
DTSTAMP:20260403T143932
CREATED:20210520T235030Z
LAST-MODIFIED:20210520T235030Z
UID:7063-1626856200-1627831800@eugeneoneill.org
SUMMARY:Studio Retreat 2021
DESCRIPTION:We are very excited to host Studio Retreat on site again! Join us for this FREE\, TEN-DAY creative workshop led by Bay Area professionals at Tao House\, Danville\, home of Nobel Prize-winning playwright EUGENE O’NEILL. \nDates: \nWednesday\, July 21 through Sunday\, August 1 (with a 2-day break on Monday\, July 26  and Tuesday\, July 27.) \nMore Info HERE \nTo Apply: \nPlease complete all fields and click on SEND at the bottom. \nMake sure you see our message “Thank you for your message. It has been sent!” after you click on SEND. We will contact you within a week of your application\, but please email us if you don’t hear\, or if you have questions. \nYou can also print out this page and email it to us at taohouse.eonf@gmail.com AND oaklandpublic@gmail.com \nThe Studio Retreat program will follow CDC protocols for COVID-19\, which will be provided to all participants prior to the retreat. \n[contact-form-7 id=”7068″ title=”Studio Retreat Application Form 2021″]
URL:https://eugeneoneill.org/event/studio-retreat-2021/
CATEGORIES:Educational Event
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2021/02/Studio-Retreat-group-pano.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210818T190000
DTEND;TZID=UTC:20210818T203000
DTSTAMP:20260403T143932
CREATED:20210705T231820Z
LAST-MODIFIED:20210705T231820Z
UID:7244-1629313200-1629318600@eugeneoneill.org
SUMMARY:"Beyond the Horizon" Virtual Sneak Peek
DESCRIPTION:Join us for a special virtual conversation with production dramaturg Beth Wynstra and director Eric Fraisher Hayes as they discuss the history and issues at work in Eugene O’Neill’s first Pulitzer Prize-winning play as well as the process of putting together our Tao House production. \n  \nWed.\, Aug. 18\, 7pm Pacific\, 2021 \nREGISTER HERE \nA special Beyond the Horizon engagement guide and video scholar commentary will be offered in support of our production.
URL:https://eugeneoneill.org/event/beyond-the-horizon-sneak-peek/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210925T160000
DTEND;TZID=UTC:20210925T193000
DTSTAMP:20260403T143932
CREATED:20210705T233718Z
LAST-MODIFIED:20210705T233718Z
UID:7250-1632585600-1632598200@eugeneoneill.org
SUMMARY:"Beyond the Horizon" Live at Tao House
DESCRIPTION:The play Beyond the Horizon calls for a combination of outdoor and indoor scenes\, which have traditionally been difficult to represent. Our production will be filmed to highlight the natural beauty and farm-like qualities of the Tao House property.  Additionally\, two live performances of the play will take place with seating at reduced capacity. These special live performances will utilize a combination of outdoor and indoor settings which require some minimal walking. Please read our FAQs before purchasing tickets. \nBeyond the Horizon Live at Tao House: Sat Sept 25\, 4pm  \n(and Sun Sep 26\, 4pm\, and watch for Beyond the Horizon\, the Film: Sat Oct 2) \nTICKETS HERE
URL:https://eugeneoneill.org/event/beyond-the-horizon/
CATEGORIES:O'Neill Festival
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2017/04/panoramic-view-Mt-Diablo-Tao-House.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210926T160000
DTEND;TZID=UTC:20210926T193000
DTSTAMP:20260403T143932
CREATED:20210705T234216Z
LAST-MODIFIED:20210705T234216Z
UID:7254-1632672000-1632684600@eugeneoneill.org
SUMMARY:"Beyond the Horizon" Live at Tao House
DESCRIPTION:The play Beyond the Horizon calls for a combination of outdoor and indoor scenes\, which have traditionally been difficult to represent. Our production will be filmed to highlight the natural beauty and farm-like qualities of the Tao House property.  Additionally\, two live performances of the play will take place with seating at reduced capacity. These special live performances will utilize a combination of outdoor and indoor settings which require some minimal walking. Please read our FAQs before purchasing tickets. \nBeyond the Horizon Live: Sun Sep 26\, 4pm \n(also Sat Sep 25\, 4pm\, and watch for Beyond the Horizon\, the Film: Sat Oct 2) \n  \nTICKETS HERE
URL:https://eugeneoneill.org/event/beyond-the-horizon-live-at-tao-house/
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2017/04/panoramic-view-Mt-Diablo-Tao-House.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210930T200000
DTEND;TZID=UTC:20210930T213000
DTSTAMP:20260403T143932
CREATED:20210705T230158Z
LAST-MODIFIED:20210705T230158Z
UID:7240-1633032000-1633037400@eugeneoneill.org
SUMMARY:Eugene O'Neill: 51 Plays in 51 Minutes
DESCRIPTION:  \nEugene O’Neill is known for writing important plays\, long plays\, but what many do not know is he also wrote a lot of plays. 51 to be exact. Eugene O’Neill: 51 Plays in 51 Minutes is a playful overview of the entire O’Neill canon from the perspective of a director who has staged 27 of the playwright’s 51 plays. \nJoin EONF Artistic Director Eric Fraisher Hayes for a lively theatrical crash course on the plays of Eugene O’Neill. This event promises to be fresh\, insightful\, and entertaining. And less than an hour! \nThur Sep 30\, 8pm (also Fri Oct 1\, 8pm) \nMuseum of the San Ramon Valley \ntickets here
URL:https://eugeneoneill.org/event/eugene-oneill-51-plays-in-51-minutes/
CATEGORIES:O'Neill Festival
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2017/01/IMG_9267.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211001T200000
DTEND;TZID=UTC:20211001T213000
DTSTAMP:20260403T143932
CREATED:20210705T231047Z
LAST-MODIFIED:20210705T231047Z
UID:7242-1633118400-1633123800@eugeneoneill.org
SUMMARY:Eugene O'Neill: 51 Plays in 51 Minutes
DESCRIPTION:Eugene O’Neill is known for writing important plays\, long plays\, but what many do not know is he also wrote a lot of plays. 51 to be exact. Eugene O’Neill: 51 Plays in 51 Minutes is a playful overview of the entire O’Neill canon from the perspective of a director who has staged 27 of the playwright’s 51 plays. \nJoin EONF Artistic Director Eric Fraisher Hayes for a lively theatrical crash course on the plays of Eugene O’Neill. This event promises to be fresh\, insightful\, and entertaining. And less than an hour! \nFri Oct 1\, 8pm (also Thur Sept 30\, 8pm) \nMuseum of the San Ramon Valley \n  \nTickets HERE \n 
URL:https://eugeneoneill.org/event/eugene-oneill-51-plays-in-51-minutes-2/
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2019/03/Iceman-Rehearsal-Picture-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211016T160000
DTEND;TZID=UTC:20211016T180000
DTSTAMP:20260403T143932
CREATED:20211004T231048Z
LAST-MODIFIED:20211004T231048Z
UID:8215-1634400000-1634407200@eugeneoneill.org
SUMMARY:Beyond the Horizon Film Watch Party!
DESCRIPTION:Eric Fraisher Hayes’ film production of Beyond the Horizon will be debuting on Oct 16. Purchase access link HERE. \nJoin us to celebrate this exciting new release as well as O’Neill’s Birthday on Oct 16\, 4-6pm at ICDT! Performing Arts in Danville. Enjoy a reception and conversation with Artistic Director and Producer\, Eric Fraisher Hayes and a reading of some of our Tiny Horizon Stories! \nWe will have an opportunity draw for some fun prizes\, and our grand prize winner will be chosen: a weekend at the East Brother Light Station!
URL:https://eugeneoneill.org/event/film-premiere-watch-party/
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2021/06/pano-BtH-Pic-1-copy-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211130
DTEND;VALUE=DATE:20211201
DTSTAMP:20260403T143932
CREATED:20201012T222810Z
LAST-MODIFIED:20201012T222810Z
UID:6517-1638230400-1638316799@eugeneoneill.org
SUMMARY:Extended: Applications Due for 2022 Travis Bogard AIR
DESCRIPTION:Applications for 2022 Travis Bogard Artist in Residence Program are now due 11/30/21! Click HERE for more information and application package. \n  \nThe Artist in Residence Program at Tao House provides a working retreat for developing or established playwrights\, scholars\, or critics of the performing arts.
URL:https://eugeneoneill.org/event/applications-due-for-2021-travis-bogard-artist-in-residence-program/
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2017/04/e-news-Spring-2017-AIR-hero-photo.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220114T190000
DTEND;TZID=UTC:20220114T210000
DTSTAMP:20260403T143932
CREATED:20211206T233449Z
LAST-MODIFIED:20211206T233449Z
UID:8425-1642186800-1642194000@eugeneoneill.org
SUMMARY:Eugene O'Neill's "Welded"
DESCRIPTION:The Eugene O’Neill Foundation\, Tao House is proud to announce it will kick off 2022 with a production of O’Neill’s play Welded. Idealism\, insecurities\, and intrigues send the marriage of successful theatre couple Michael and Eleanor Cape spinning out of control in this rarely produced 1924 play. Welded comes from O’Neill’s highly experimental period. In his stage directions\, he wrote that Michael and Eleanor should be illuminated by individual spotlights which O’Neill referred to as “auras of egoism.” This provocative stage direction was not followed in the original production nor subsequent productions. January’s production will seek to explore this lighting device and its ramifications on the other characters in the play and the audience. \nTickets HERE \nAt the Museum of the San Ramon Valley\, 205 Railroad Ave.\, Danville\, CA 94526 \nFri. Jan. 14\, Sat. Jan. 15\, and Sun. Jan. 16 (all performances at 7pm) \nTickets $25 \nReduced capacity limited to 40 seats per performance. Masks and proof of Vaccinations will be required upon entry.
URL:https://eugeneoneill.org/event/eugene-oneills-welded/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220115T160000
DTEND;TZID=UTC:20220115T173000
DTSTAMP:20260403T143932
CREATED:20220110T111417Z
LAST-MODIFIED:20220110T111417Z
UID:8500-1642262400-1642267800@eugeneoneill.org
SUMMARY:"Welded" presentation by Dramaturg Beth Wynstra
DESCRIPTION:On Saturday\, January 15 at 4pm\, Babson College professor and Welded production dramaturg Beth Wynstra will be delivering a presentation on the clash of cultural expectations surrounding romance and marriage in American society as seen through the plays of Eugene O’Neill. At 7pm of the same day\, audiences can see Eugene O’Neill’s opus on marital roleplaying Welded. In between events\, audiences will have a couple of hours to find a great place to eat among the dozens of quality restaurants in Danville. Learn. Eat. Be Entertained. Sounds like a marriage made in Danville!\n\nSaturday\, January 15\, 2022\n\n4pm   Beth Wynstra’s “Marriage and O’Neill” at the Museum of the San Ramon Valley (Free – no need to register)\n\n7pm  Welded by Eugene O’Neill at the Museum of the San Ramon Valley (tickets HERE)\n\nDine in downtown Danville in between. (Make a Town Council Member Smile!)
URL:https://eugeneoneill.org/event/welded-presenation-by-dramaturg-beth-wynstra/
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2019/03/MSRV-photo-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220114T190000
DTEND;TZID=UTC:20220114T210000
DTSTAMP:20260403T143932
CREATED:20211206T233449Z
LAST-MODIFIED:20211206T233449Z
UID:8425-1642186800-1642194000@eugeneoneill.org
SUMMARY:Eugene O'Neill's "Welded"
DESCRIPTION:The Eugene O’Neill Foundation\, Tao House is proud to announce it will kick off 2022 with a production of O’Neill’s play Welded. Idealism\, insecurities\, and intrigues send the marriage of successful theatre couple Michael and Eleanor Cape spinning out of control in this rarely produced 1924 play. Welded comes from O’Neill’s highly experimental period. In his stage directions\, he wrote that Michael and Eleanor should be illuminated by individual spotlights which O’Neill referred to as “auras of egoism.” This provocative stage direction was not followed in the original production nor subsequent productions. January’s production will seek to explore this lighting device and its ramifications on the other characters in the play and the audience. \nTickets HERE \nAt the Museum of the San Ramon Valley\, 205 Railroad Ave.\, Danville\, CA 94526 \nFri. Jan. 14\, Sat. Jan. 15\, and Sun. Jan. 16 (all performances at 7pm) \nTickets $25 \nReduced capacity limited to 40 seats per performance. Masks and proof of Vaccinations will be required upon entry.
URL:https://eugeneoneill.org/event/eugene-oneills-welded/
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2021/11/20211028_183534-Cropped-Welded-copy-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220114T190000
DTEND;TZID=UTC:20220114T210000
DTSTAMP:20260403T143932
CREATED:20211206T233449Z
LAST-MODIFIED:20211206T233449Z
UID:8425-1642186800-1642194000@eugeneoneill.org
SUMMARY:Eugene O'Neill's "Welded"
DESCRIPTION:The Eugene O’Neill Foundation\, Tao House is proud to announce it will kick off 2022 with a production of O’Neill’s play Welded. Idealism\, insecurities\, and intrigues send the marriage of successful theatre couple Michael and Eleanor Cape spinning out of control in this rarely produced 1924 play. Welded comes from O’Neill’s highly experimental period. In his stage directions\, he wrote that Michael and Eleanor should be illuminated by individual spotlights which O’Neill referred to as “auras of egoism.” This provocative stage direction was not followed in the original production nor subsequent productions. January’s production will seek to explore this lighting device and its ramifications on the other characters in the play and the audience. \nTickets HERE \nAt the Museum of the San Ramon Valley\, 205 Railroad Ave.\, Danville\, CA 94526 \nFri. Jan. 14\, Sat. Jan. 15\, and Sun. Jan. 16 (all performances at 7pm) \nTickets $25 \nReduced capacity limited to 40 seats per performance. Masks and proof of Vaccinations will be required upon entry.
URL:https://eugeneoneill.org/event/eugene-oneills-welded/
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2021/11/20211028_183534-Cropped-Welded-copy-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220116T190000
DTEND;TZID=UTC:20220116T210000
DTSTAMP:20260403T143932
CREATED:20211206T234333Z
LAST-MODIFIED:20211206T234333Z
UID:8432-1642359600-1642366800@eugeneoneill.org
SUMMARY:Eugene O'Neill's "Welded"
DESCRIPTION:The Eugene O’Neill Foundation\, Tao House is proud to announce it will kick off 2022 with a production of O’Neill’s play Welded. Idealism\, insecurities\, and intrigues send the marriage of successful theatre couple Michael and Eleanor Cape spinning out of control in this rarely produced 1924 play. Welded comes from O’Neill’s highly experimental period. In his stage directions\, he wrote that Michael and Eleanor should be illuminated by individual spotlights which O’Neill referred to as “auras of egoism.” This provocative stage direction was not followed in the original production nor subsequent productions. January’s production will seek to explore this lighting device and its ramifications on the other characters in the play and the audience. \nTickets HERE \nAt the Museum of the San Ramon Valley\, 205 Railroad Ave.\, Danville\, CA 94526 \nFri. Jan. 14\, Sat. Jan. 15\, and Sun. Jan. 16 (all performances at 7pm) \nTickets $25 \nReduced capacity limited to 40 seats per performance. Masks and proof of Vaccinations will be required upon entry.
URL:https://eugeneoneill.org/event/eugene-oneills-welded-3/
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2021/11/20211028_183534-Cropped-Welded-copy-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220114T190000
DTEND;TZID=UTC:20220114T210000
DTSTAMP:20260403T143932
CREATED:20211206T233449Z
LAST-MODIFIED:20211206T233449Z
UID:8425-1642186800-1642194000@eugeneoneill.org
SUMMARY:Eugene O'Neill's "Welded"
DESCRIPTION:The Eugene O’Neill Foundation\, Tao House is proud to announce it will kick off 2022 with a production of O’Neill’s play Welded. Idealism\, insecurities\, and intrigues send the marriage of successful theatre couple Michael and Eleanor Cape spinning out of control in this rarely produced 1924 play. Welded comes from O’Neill’s highly experimental period. In his stage directions\, he wrote that Michael and Eleanor should be illuminated by individual spotlights which O’Neill referred to as “auras of egoism.” This provocative stage direction was not followed in the original production nor subsequent productions. January’s production will seek to explore this lighting device and its ramifications on the other characters in the play and the audience. \nTickets HERE \nAt the Museum of the San Ramon Valley\, 205 Railroad Ave.\, Danville\, CA 94526 \nFri. Jan. 14\, Sat. Jan. 15\, and Sun. Jan. 16 (all performances at 7pm) \nTickets $25 \nReduced capacity limited to 40 seats per performance. Masks and proof of Vaccinations will be required upon entry.
URL:https://eugeneoneill.org/event/eugene-oneills-welded/
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2021/11/20211028_183534-Cropped-Welded-copy-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220114T190000
DTEND;TZID=UTC:20220114T210000
DTSTAMP:20260403T143932
CREATED:20211206T233449Z
LAST-MODIFIED:20211206T233449Z
UID:8425-1642186800-1642194000@eugeneoneill.org
SUMMARY:Eugene O'Neill's "Welded"
DESCRIPTION:The Eugene O’Neill Foundation\, Tao House is proud to announce it will kick off 2022 with a production of O’Neill’s play Welded. Idealism\, insecurities\, and intrigues send the marriage of successful theatre couple Michael and Eleanor Cape spinning out of control in this rarely produced 1924 play. Welded comes from O’Neill’s highly experimental period. In his stage directions\, he wrote that Michael and Eleanor should be illuminated by individual spotlights which O’Neill referred to as “auras of egoism.” This provocative stage direction was not followed in the original production nor subsequent productions. January’s production will seek to explore this lighting device and its ramifications on the other characters in the play and the audience. \nTickets HERE \nAt the Museum of the San Ramon Valley\, 205 Railroad Ave.\, Danville\, CA 94526 \nFri. Jan. 14\, Sat. Jan. 15\, and Sun. Jan. 16 (all performances at 7pm) \nTickets $25 \nReduced capacity limited to 40 seats per performance. Masks and proof of Vaccinations will be required upon entry.
URL:https://eugeneoneill.org/event/eugene-oneills-welded/
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2021/11/20211028_183534-Cropped-Welded-copy-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220114T190000
DTEND;TZID=UTC:20220114T210000
DTSTAMP:20260403T143932
CREATED:20211206T233449Z
LAST-MODIFIED:20211206T233449Z
UID:8425-1642186800-1642194000@eugeneoneill.org
SUMMARY:Eugene O'Neill's "Welded"
DESCRIPTION:The Eugene O’Neill Foundation\, Tao House is proud to announce it will kick off 2022 with a production of O’Neill’s play Welded. Idealism\, insecurities\, and intrigues send the marriage of successful theatre couple Michael and Eleanor Cape spinning out of control in this rarely produced 1924 play. Welded comes from O’Neill’s highly experimental period. In his stage directions\, he wrote that Michael and Eleanor should be illuminated by individual spotlights which O’Neill referred to as “auras of egoism.” This provocative stage direction was not followed in the original production nor subsequent productions. January’s production will seek to explore this lighting device and its ramifications on the other characters in the play and the audience. \nTickets HERE \nAt the Museum of the San Ramon Valley\, 205 Railroad Ave.\, Danville\, CA 94526 \nFri. Jan. 14\, Sat. Jan. 15\, and Sun. Jan. 16 (all performances at 7pm) \nTickets $25 \nReduced capacity limited to 40 seats per performance. Masks and proof of Vaccinations will be required upon entry.
URL:https://eugeneoneill.org/event/eugene-oneills-welded/
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2021/11/20211028_183534-Cropped-Welded-copy-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220114T190000
DTEND;TZID=UTC:20220114T210000
DTSTAMP:20260403T143932
CREATED:20211206T233449Z
LAST-MODIFIED:20211206T233449Z
UID:8425-1642186800-1642194000@eugeneoneill.org
SUMMARY:Eugene O'Neill's "Welded"
DESCRIPTION:The Eugene O’Neill Foundation\, Tao House is proud to announce it will kick off 2022 with a production of O’Neill’s play Welded. Idealism\, insecurities\, and intrigues send the marriage of successful theatre couple Michael and Eleanor Cape spinning out of control in this rarely produced 1924 play. Welded comes from O’Neill’s highly experimental period. In his stage directions\, he wrote that Michael and Eleanor should be illuminated by individual spotlights which O’Neill referred to as “auras of egoism.” This provocative stage direction was not followed in the original production nor subsequent productions. January’s production will seek to explore this lighting device and its ramifications on the other characters in the play and the audience. \nTickets HERE \nAt the Museum of the San Ramon Valley\, 205 Railroad Ave.\, Danville\, CA 94526 \nFri. Jan. 14\, Sat. Jan. 15\, and Sun. Jan. 16 (all performances at 7pm) \nTickets $25 \nReduced capacity limited to 40 seats per performance. Masks and proof of Vaccinations will be required upon entry.
URL:https://eugeneoneill.org/event/eugene-oneills-welded/
ATTACH;FMTTYPE=image/jpeg:https://eugeneoneill.org/wp-content/uploads/2021/11/20211028_183534-Cropped-Welded-copy-scaled-1.jpg
END:VEVENT
END:VCALENDAR